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82nd Academy Awards Winners |
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7th March 2010: Kodak Theatre, Hollywood, Los Angeles, USA |
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| Best Motion Picture of the Year | ||||
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| Best Performance by an Actor in a Leading Role | ||||
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| Best Performance by an Actress in a Leading Role | ||||
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| Best Performance by an Actor in a Supporting Role | ||||
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| Best Performance by an Actress in a Supporting Role | ||||
| Best Achievement in Direction | ||||
| Best Writing, Screenplay Written Directly for the Screen | ||||
| Best Writing, Screenplay Based on Material Previously Produced or Published | ||||
| Best Achievement in Cinematography | ||||
| Best Achievement in Art Direction | ||||
| Best Achievement in Costume Design | ||||
| Sandy Powell - The Young Victoria | ||||
| Best Achievement in Sound | ||||
| Paul N. J. Ottosson, Ray Beckett - The Hurt Locker | ||||
| Best Achievement in Editing | ||||
| Bob Murawski, Chris Innes - The Hurt Locker | ||||
| Best Achievement in Sound Editing | ||||
| Paul N. J. Ottosson - The Hurt Locker | ||||
| Best Achievement in Visual Effects | ||||
| Joe Letteri, Stephen Rosenbaum, Richard Baneham, Andy Jones - Avatar | ||||
| Best Achievement in Make-Up | ||||
| Barney Burman, Mindy Hall, Joel Harlow - Star Trek | ||||
| Best Achievement in Music Written for Motion Pictures, Original Song | ||||
| Ryan Bingham, T Bone Burnett - Crazy Heart (The Weary Kind (theme from Crazy Heart) | ||||
| Best Achievement in Music Written for Motion Pictures, Original Score | ||||
| Best Short Film, Animation | ||||
| Best Short Film, Live Action | ||||
| Best Documentary, Short Subjects | ||||
| Best Documentary, Features | ||||
| Best Foreign Language Film of the Year | ||||
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El Secreto de Sus Ojos (The Secret in Their Eyes) (Argentina/Spain) |
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| Best Animated Feature Film of the Year | ||||
| Scientific and Engineering Award | ||||
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Per
Christensen,
Michael Bunnell,
Christophe Hery - for the development of point-based rendering for
indirect illumination and ambient occlusion.
Richard Kirk - for the overall design and development of the Truelight real-time 3D look-up table hardware device and color management software. Volker Massmann, Markus Hasenzahl, Klaus Anderle, Andreas Loew - for the development of the Spirit 4K/2K film scanning system as used in the digital intermediate process for motion pictures. Michael Cieslinski, Reimar Lenz, Bernd Brauner - for the development of the ARRISCAN film scanner, enabling high-resolution, high-dynamic range, pin-registered film scanning for use in the digital intermediate process. Wolfgang Lempp, Theo Brown, Tony Sedivy, John Quartel - for the development of the Northlight film scanner, which enables high-resolution, pin-registered scanning in the motion picture digital intermediate process. Steve Chapman, Martin Tlaskal, Darrin Smart, James Logie - for their contributions to the development of the Baselight color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process. Márk Jászberényi, Gyula Priskin, Tamas Perlaki - for their contributions to the development of the Lustre color correction system, which enables real-time digital manipulation of motion picture imagery during the digital intermediate process. Brad Walker, D. Scott Dewald, Bill Werner, Greg Pettitt - for their contributions furthering the design and refinement of the Texas Instruments DLP Projector technology, achieving a level of performance that enabled color-accurate digital intermediate previews of motion pictures. Ryoji Nishimura, Masaaki Miki, Youichi Hosoya (FUJIFILM Corporation) - for the design and development of Fujicolor ETERNA-RDI digital intermediate film, which was designed exclusively to reproduce motion picture digital masters. Paul Debevec, Tim Hawkins, John Monos, Mark Sagar - for the design and engineering of the Light Stage capture devices and the image-based facial rendering system developed for character relighting in motion pictures. |
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| Technical Achievement Award | ||||
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Mark
Wolforth,
Tony
Sedivy - for their contributions to the development of the Truelight
real-time 3D look-up table hardware system.
Klaus Anderle, Christian Baeker, Frank Billaschco - for their contributions to the LUTher 3D look-up table hardware device and color management software. Steve Sullivan, Kevin Wooley, Brett Allen, Colin Davidson - for the development of the Imocap on-set performance capture system. Hayden Landis, Ken McGaugh, Hilmar Koch - for advancing the technique of ambient occlusion rendering. Bjorn Heden - for the design and mechanical engineering of the silent, two-stage planetary friction drive Heden Lens Motors. |
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