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1901-1905 |
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1901 |
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| 10/1 - | The licence agreement between Edison and Vitagraph is terminated by Edison when Vitagraph fail to pay a 10% royalty on exhibition income. [MORE] | |||
| Feb - | Edison’s new studio at 41 East 21st Street, New York is ready for use. [MORE] | |||
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| 15/7 - | Thomas Edison wins his legal battle with Biograph over patent infringements. Henry Marvin of Biograph immediately appeals Judge Hoyt Henry Wheeler’s ruling and wins an injunction. [MORE] | |||
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| – Fearing that he is next in the firing line, Siegmund Lubin flees to Germany following Edison’s legal victory over Biograph. [MORE] | ||||
| – Vaudeville managers turn to filmmakers to provide entertainment when the White Rats, the theatrical performers union, organise a strike of their members. [MORE] | ||||
| Other Films of Note | ||||
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| Execution of Czolgosz (Edwin S. Porter) [MORE] [ADD] | ||||
| The Finish of Bridget McKeen (Edwin S. Porter) [MORE] [ADD] | ||||
| Kansas Saloon Smashers (Edwin S. Porter) [MORE] [ADD] | ||||
| Mrs Nation and her Hatchet Brigade [MORE] [ADD] | ||||
| Stockyards Series (Lubin) [MORE] [ADD] | ||||
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1902 |
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| 16/4 - | The 200-seat Electric Theater, the first purpose-built cinema in Los Angeles opens for business. [MORE] [ADD] | |||
| 2/5 - | Albert E. Smith and J. Stuart Blackton's Vitagraph wins its legal fight with Edison meaning it can resume film production immediately. [MORE] [ADD] | |||
| 26/8 - | Patent No. 707934 is awarded to Woodville Latham for the Latham Loop. [MORE] [ADD] | |||
| - Edwin S. Porter films The Life of an American Fireman. [MORE] [ADD] | ||||
| Other Films of Note | ||||
| Fun in a Bakery Shop (Edwin S. Porter) [MORE] [ADD] | ||||
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1903 |
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| 21/1 - | Life of an American Fireman lodged for copyright in Washington. [MORE] [ADD] | |||
| Jan - | Gaston Melies opens US distribution office and printing laboratory for brother George's Star Films at 204 East 38th Street in New York with the aid of his son Paul. [MORE] [ADD] | |||
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| Feb- | Hungarian immigrant furrier Adolph Zukor opens a penny arcade called 'The Bazaar' in New York. [MORE] | |||
| May - | The Biograph studios, the first in the country to use artificial light, go into full operation at 11 East 14th Street in New York. [MORE] | |||
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| May - | Siegmund Lubin appears in his version of Uncle Tom’s Cabin and opens his first film exchange. [MORE] | |||
| 22/8 - | Gaston Melies releases Reliance: Shamrock III. [MORE] [ADD] | |||
| 21/9 - | The first two known Westerns – Kit Carson and The Pioneers – are copyrighted. [MORE] [ADD] | |||
| Sept - | Biograph switches to the industry standard 35mm film gauge and introduces a three-blade shutter that greatly enhances projection quality. [MORE] [ADD] | |||
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| Nov - | Marcus Loew opens a number of penny arcades in New York and Cincinatti. [MORE] [ADD] | |||
| Nov - | Biograph’s The Escaped Lunatic is the first US film to be structured around a chase. [MORE] [ADD] | |||
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| 1/12 - | Edwin S Porter’s 12-minute long The Great Train Robbery is released. [MORE] | |||
| – The four Warner brothers open a penny arcade in Pittsburgh. [MORE] | ||||
| – Harry Chandler and Moses Sherman buy Harvey Wilcox’s Hollywood real estate development for $3 million. [MORE] | ||||
| – The courts rule that each frame of a film no longer has to be copyrighted to be protected, but that the entire film can be covered by one copyright submission. [MORE] | ||||
| – The film rental business expands, with the pioneering Miles Brothers facing competition from the likes of Percival Waters’ Kinetograph Co. in New York, Eugene Cline & Co. and George Kleine in Chicago. [MORE] | ||||
| Other Films of Note | ||||
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| 1904 |
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| 13/1 - | Photographing a Female Crook, Wallace McCutcheon’s 40-second film for American Mutoscope & Biograph, makes use of a shot that tracks into a close-up. [MORE] | |||
| May - |
George Hale of the Kansas City Fire Brigade introduces ‘Hale’s Touring Car,’ a new novelty, at the St. Louis Fair. Sitting in a mock-up of a train carriage, the audience watches the passing scenery of locations from around the world. [MORE] |
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10/7 - |
Oskar Messter shoots films with a synchronised soundtrack at the St. Louis Olympics. [MORE] [ADD] | |||
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| – William Fox purchases a Brooklyn penny arcade called The Automat from J. Stuart Blackton, while Adolph Zukor forms The Automatic Vaudeville Co. with Mitchell Mark. [MORE] | ||||
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| – Eugene Lauste builds a sound-on-film system using separate films for picture and sound. [MORE] | ||||
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– Siegmund Lubin unsuccessfully attempts to market sound movies. [MORE] |
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| – Biograph's The Moonshiner is one of the first films to make consistent use of intertitles. [MORE] [ADD] | ||||
| Other Films of Note | ||||
| The Ex-Convict (Edwin S. Porter) | ||||
| Personal (Biograph) [MORE] [ADD] | ||||
| The Suburbanite (Biograph) [MORE] [ADD] | ||||
| Tom, Tom, the Piper’s Son (Biograph) [MORE] [ADD] | ||||
| 1905 | ||||
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| 1/6 - |
Adolph Zukor opens a ‘Hale’s Tour’ show in Union Square, New York. [MORE] |
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| Jun - | John P. Harris and Harry Davis open a permanent storefront cinema on Smithfield Street in Pittsburgh. Charging 5 cents admission fee, the cinema earns the name ‘Nickelodeon.’ [MORE] [ADD] | |||
| 16/12 - |
Sime Silverman publishes the first 16-page issue of the trade entertainment paper Variety. [MORE] [ADD] |
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– Adolph Zukor and Marcus Loew form Loew's consolidated theater chain. [MORE] [ADD] |
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– Edison causes disruption at Biograph by luring away some of their most creative talent. Biograph also lose their contract for the Keith Vaudeville Circuit to the Kinetograph Film Exchange, a company with links to Edison. [MORE] [ADD] |
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– Vitagraph begin renting films to exchanges instead of selling them and commits to making story films. [MORE] [ADD] |
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– Massachusetts introduces a law setting safety standards in motion picture theatres. [MORE] [ADD] |
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– Edison’s Black Maria studio is demolished. [MORE] [ADD] |
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- Biograph become the first studio to use Peter Cooper-Hewitt's mercury lamps to enable filming indoors. The 4ft tubular lamps emit a distinctive blue-green colour. [MORE] [ADD] |
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| Other Films of Note | ||||
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| The Green Goods Man (Vitagraph) | ||||
| The Kleptomaniac (Edwin S. Porter) [MORE] [ADD] | ||||
| The Miller’s Daughter (Porter and McCutcheon) [MORE] [ADD] | ||||
| Monsieur Beaucaire (Vitagraph) [MORE] [ADD] | ||||
| Raffles the Amateur Cracksman (Vitagraph) [MORE] [ADD] |